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ARTBOOK DAYS
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EVENTS / FAIRS
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TEXTS
ARTBOOK DAYS
EDITIONS
EVENTS / FAIRS
BOOK FUND
PAPER
ABOUT
SUPPORTERS
TEXTS
Berkay Tuncay - At the Intersection of Text, Sound and Internet
Fluidity Unwrapped
The Dreamy Atmosphere Of The Time Regulation Institute
Gülsün Karamustfa - Hollow and Broken: A State of the World
making a game out of the conflict between desire and order
A Warm Welcome
My world has no judgment against those categories that the human world has created
Also your wound, Rosa
12th Berlin Biennale: The World of Wounds
Documenta fifteen: Collective solidarity seeping through authoritarian pressures
5th INTERNATIONAL MARDIN BIENNIAL | THE PROMISE OF GRASS
Sugar and heat: red, blue, green, purple, orange
Is it possible to talk about the art of the future?
Freeze Frame: the cinematic sculpture of Aslı Işıksal
Memory is a word that is imbued with subjecthood
Latif Project
"riddles, deaths and detours"
Görünmeyenlere Sığınmak
a cliff above the sea
Citizen-level wisdom will prevail over the old-think of runaway capitalism
The loss of time and my waking life
‘here and there’
that’s a tiny small step, but a step
Symbols and Narratives
In addition to the still lives
Şimdiyi ve sonrasını bambaşka kabullerle kurabilelim
It is not a boat, it is just a mountain
Mourning the future
Anatolian Studies
evdeyim ama sakin olamayacağım champ...
Mwana wevhu - Child of the land
İnsan tuhaf, ne hoyrat, ne şaheser ve nasıl ilkel hayret
The Visit
You Will Be Fine.
Hatırlar mısın?
Splitting Anthropocene – Istanbul Biennale « The Seventh Continent » review
The Sensitive Season
I like to think through my body because the body thinks
Rebirth, being and motion: Bill Viola and Michelangelo
To grow in isolation: Sibel Horada’s gardens at Depo
Korhan Basaran’s Rebirth: A Tear in the Matrix of Life
On space, time, planets and plants
My Dear Friends, Bryony Dunne & Roger Anis
Opposites Revolt: The Neorealism of Kings
What did the high masters tell Hilma af Klint?
Body Pressure (After Bruce Nauman)
What can we learn from Fahrenissa Zeid’s creativity process
Particles and galactic shores: A conversation with Andrew Yang
A History of Pictures: David Hockney and Martin Gayford in Conversation
Julian Rosefeldt’s ‘deep’ creative process
Heavy matters, light weights, a handful of rights
Food as medium: An Immersive experience through collaboration
The Disquietedness Of Change
On Special Occasions And The Time of the Objects
The singularS in Post-Peace Turkey
On architecture, error and white lies
We Who Do Not Know Who We Are
POWER OF THE ARTS, Charles I : King and Collector at the Royal Academy
David Hockney exhibition at Centre Georges Pompidou
Just more broken than normal
A Gentle Breeze Passed Over Us*
Renaissance figure of China and social media exposure: Story of an exhibition
